By
Cornelia Seckel
This is our January / February issue. If you
missed out on our advertising deadline, submitting calendar or opportunity
listings, you can still do so. Send an email and we can place it online
within a few days. Deadline for advertising materials for the March issue
is February 19; calendar and opportunities, February 12. It
was quite a hectic month and I am truly ready for a break to re-create
for the coming year. We expect more changes as we move through our 25th
year with more opportunities for online advertising, and a chance for
you to send us comments and video clips of cultural events you attend. “Helvetica”
a film distributed by Independent Lens and directed and produced by Gary Hustwit will be shown on PBS January 6 at 10pm (check
local listings). This is a fascinating look at the “typeface that changed
the world”. I found the film particularly interesting and appreciated
the viewpoints of the many Type Designers who discussed various aspects
of type, most specifically how type styles effect and reinforce the message
and how it is important not to confuse legibility with communication.
After WW II, people needed rationality and Helvetica, developed by Max
Miedinger with Edüard Hoffmann in
1957 for the Haas Type Foundry in Switzerland, began to be used
by corporations and governments around the world for signage and advertising.
It is clear, readable, straightforward and simple. Today we see it more
frequently than any other type style and people are now more in touch
with typefaces given the use of personnel computers. When individuals
create an invitation on their computer or choose a type and design for
a Facebook, LinkedIn or MySpace page, it is a reflection of how they see
themselves. Choosing the typeface for the ART TIMES logo (souvenir
demi) and the text (century schoolbook) was a very difficult decision
25 years ago and I’m happy to say I think they still hold up well. Friends
Jacky & Jörg, visiting from Berlin, Germany, accompanied Raymond
and me when we went to see “A Wonderful Life”, the musical at Westchester
Broadway Theatre in Elmsford, NY —their 159th production.
The musical was based on Frank Capra’s classic film of the same
name: Sheldon Harnick wrote the book and lyrics; Joe Raposo
wrote the music; Richard Safford was the director and choreographer.
I have never been disappointed with a show (or dinner) and have often
preferred their productions to ones I’ve seen in Manhattan. The story
is one we all know: self-sacrifice, despair and renewal; the lesson: dreams
don’t always come true and that’s ok. The music and voices were excellent,
acting exciting, and the staging made a great use of the space. It was
a heartwarming, delightful and fun evening. Westchester Broadway Theatre
has perfected Dinner & Theater. They have 5-6 musical productions
each year and single night concerts several times a month— the current
play will run through February 7 and their next production “Meshuggah
Nuns” begins February 12. One of their community services is to do numerous
benefit performances for organizations that help physically & emotionally disabled people.
Choreographer
Shen Wei's work, Connect Transfer was part of the
Olympic Opening Ceremonies in Beijing (see more information
on the company and a YouTube of the Beijing performance at www.shenweidancearts.org)
and last month I was invited to the gala performance of a limited engagement
of Connect Transfer II—reimagined for a tour of modern
art museums (dates to be announced) at the historic Judson Memorial
Church, NYC. What an exciting and sensuous performance as dancers
connected, intertwined amoeba-like, disengaged and finally came together
as one body that reminded me of a “puppy pile” and for much of the time
created calligraphy with their hands, bodies and feet. The music by Stephen
Gosling, piano, and The Flux Quartet was outstanding.
Don’t miss Shen Wei Dance if you have a chance to see this NYC-based company
perform as they tour the US and abroad. They also offer classes and have
an Education through Dance program. Jennifer Tipton, designer
of lighting for dance and theater, was honored at this performance. As
part of the company’s fundraising efforts the canvas that was danced on
/painted during the performance was cut into sections and sold. Shen Wei’s
focus in all of his works is to build bridges between cultures and artistic
disciplines, companies and communities, and does so by incorporating all
aspects of the arts into a mode of movement-based performance.
I
was able to get to several exhibitions including one at the Hudson
Valley Gallery of The World’s Smallest Stretched
Canvas Painting. What a great idea; I thought so (we gave an award
that was received by Beth Kurtz for “Feather”) as did the 75 artists
that submitted 141 paintings. Art came from California, New York, Florida,
Georgia, New Jersey, Maine, Texas, and Minnesota. The show was judged
by Del-Bourree Bach who gave the top prize of $500 to William
Giese for “In Your Eyes”. There were 13 prizes given in all.
To date, over half of the paintings have been sold and the range in price
is $20-$675 (about ½ under $50). Paul Gould, Director
of the Gallery, said that there was so much enthusiasm that this will
be an annual event. The show is also on their website www.hudsonvalleygallery.com.
Woodstock,
NY held their 27th Annual Open House with
lots of events, art openings and Holiday decorations. I got to The
Kleinert/James Gallery for the “Annual 5x7 Show”, a benefit for the
Woodstock Byrdcliffe Guild (paintings are sold for $100
and the artist is unknown until the work is purchased — a lesson
in buy what you like, not the name). The Fletcher Gallery Holiday Group
Show; Woodstock Artist Association Museum for Paul
Abrams’ solo show and the Holiday Show; The Rondout Savings
Bank for a show of work by Marlene Wiedenbaum and many shops
throughout town. These wonderfully festive community events seem to take
place in most towns — I hope you enjoyed the one in your area. In Manhattan I was so pleased to see Hilda Green Demsky’s paintings at the Pleiades Gallery.
Many of the paintings were on aluminum, one on copper and what a fabulous
effect. Her work is exciting, colorful and powerful. Hilda does some wonderful
art-related traveling and many of these paintings were done during her
residency at Mt. Desert Island in Maine. Take a look for yourself
at www.demskyart.com • Jessica Fromm’s exhibit, Linear Visions, was at noho gallery, also in Manhattan, and I so enjoyed
the color and movement in many of her paintings. Take a look at www.jessicafromm.com
• In Saugerties I saw Julia Santos Solomon’s exhibit at Mezzaluna Bistro Latino and Gallery. What a blaze of color and energy in those
oils, limited edition prints, and sculptures. Julia also had Birdhouses
on display that were part of a show organized by Bernice Steinbaum
(Steinbaum Gallery, formerly of NYC now in Miami) called “It’s for
the Birds” that traveled to museums around the country from 2004-2007.
Each Birdhouse represented a reason why a person would immigrate to another
country. Julia made several including a “money hut”, “education hut”,
“resources hut”, “dream-house hut”, and “weather hut” and each had a Caribbean
side, a North American side and a resident alien. Take a look on Julia's
website to learn even more about this established and accomplished artist
www.santossolomonstudio.com.
The
Van Buren Gallery, New Paltz, NY, owned by Kevin Van Buren
and Toni Hokanson is, according to the owners, “more of an artist
incubator rather than a traditional gallery.” There are computers and
printers available for rent, classes & workshops, and gallery wall
space for rent. Kevin, a landscape photographer, will be available for
assistance with equipment and software. I
recently got a copy of A Very Smart Cat (Una Gata Muy
Inteligente) published by Campanita Books and written
by Mario Picayo. This delightful story, written in both
English and Spanish, has bright, clear, interesting illustrations by Yolanda
Fundora. The illustrations are truly paintings unto themselves and
each one tells an intriguing story as well as illustrating the doings
of a very smart and mischievous cat. I met Mario who is also a cultural
activist, audiovisual artist and producer. He is the Publisher and Editor
in Chief of Editorial Campana, an independent publishing
house. Learn more about their titles at www.campanitabooks.com. He has
done work with LART (Latino Artist Round Table), a not-for-profit
organization founded in 1999 and whose principal
purpose is to promote Latina/o culture in the United States and facilitate
interaction between artists and writers living in the United States, Latin
America (including the Caribbean) and Spain and Produced Gente
y cultura, the award winning public television program. |