I
DOUBT IT, but perhaps if I say it enough times, quote enough authors,
I’ll get across the point that the price one places or gets on a creative
work reflects little more than current market trends — it says
nothing about the intrinsic value of a given work of art. Well, get
used to it, because as often as I see articles breathlessly announcing
the latest bundle of bucks someone spent on a work of art, I’m going
to vent. Let’s begin with another comment from an author whose influence
has been working on me since I first read him while I was in the Army,
namely Marcus Aurelius. Here’s the quote (from Meditations):
“Look beneath the surface; do not let the multiple qualities of a thing
nor its value escape you.” I didn’t really have to cite Aurelius —
anyone with even the least amount of discernment knows what I’m writing
(some call it ‘raving’) about. There is just no dollar — euro,
yuan, peso, whatever — amount that says anything germane about
a work of art. That you spend a gazillion bucks on a painting or piece
of sculpture might tell us something about you — but says
absolutely nothing about the work qua work. Our current Iraq
involvement is now costing us billions — does that fact make it
a “valuable” war? Or just a “costly” one? Is a “cheap” war a less important
one? Retired — or fired — CEOs walk away with bundles; does
that make them intrinsically better persons than their hirelings? Does
a $250 meal at a fancy restaurant really taste hundreds of dollars better
than a fast-food burger? How much money does a celebrity have to spend
on building a house before it really becomes a home for them? Are all
million-plus-dollar movies automatically more enjoyable than low-budget
quickies? Middling plumbers, teachers, carpenters, contractors, heavy-equipment
operators, ball players, doctors, truck drivers — you name it
— can and do command sizable salaries and we all know that we
sometimes (too often, in fact) do not get the bang from the buck we
expect. Anyone living in a badly built house quickly learns the difference
between price and value. Why is it that we can’t make the transition
when it comes to art? So, here it is again: The price that one places
upon or gets for a work of art has relatively little bearing on its
actual worth as a work of art. History — not dollars —
makes the determination of whether it has genuine value for mankind.
Get over it.