I
WAS INVITED in early July —along with our Publisher, Cornelia
Seckel—to a special opening at the home of painter, sculptor,
calligrapher, and stained glass artist Franz Heigemeir and his wife
Marianne, herself an accomplished pastel painter of floral motifs (among
other subjects). No ordinary, run-of-the-mill art opening, this was
a rare event, a one-night affair open to but a few lucky enough to be
invited. The Heigemeirs, cultured Europeans who know and appreciate
the uniqueness of some special types of creative beauty, are the proud
owners of an epiphyllum oxypetalum, a special vine-like cactus known
(in English) as “Queen of the Night”.
A species of tropical flora found primarily in Brazilian South
America, its name signals its unique claim to fame, namely the production
of a large and regal bloom that comes into all its glory and then fades
forever from view, and all in the space of a single night. I’d learned
about the Heigemeir’s epiphyllum oxypetalum back in July 2005 when Franz
had a one-person show at the Woodstock Artists Association Museum (WAAM)
featuring large-scale paintings of the “Queen of the Night”, the exhibit
his personal homage to this special one-night event and one that I critiqued
in these pages. Back then, he promised me a first-hand viewing of the
actual event, a promise that was honored this July. The Heigemeirs live
in a lovely home that they built themselves, complete with an open-spaced
cathedral ceiling, working studios, a rear deck overlooking a lake,
and a full, private gallery where one may comfortably view both Franz’s
and Marianne’s work. The “Queen of the Night” resides just off the kitchen,
in front of an “A-frame” wall of glass with a southern exposure, its
long sinewy vines reaching up and entwining the open rafters above.
In keeping with this special, invitation-only, opening reception, the
Heigemeirs had four chairs carefully arranged around a cloth-covered
table that was laid out with fruit, pepperoni, wine, and cheese and
set out some five feet in front of epiphyllum oxypetalum — the
optimum viewing distance. A subtle earthy odor gradually permeated the
room shortly after we arrived, as if setting the stage for the upcoming
show. Then, slowly and silently, as we sat, chatted, and sipped our
wine, not one, but six separate virginally white “Queens” deigned to
fully reveal themselves to us. Unperturbed by our exclamations of surprise
and delight, they suffered our snapping photo after photo, haughtily
ignoring the flash of the camera or our rude hands as we gently manipulated
this or that blossom to better photographic advantage. The entire episode
lasted for about three hours — enough time to take in all of the
regal beauty of each of the “Queens” and to cap the evening with some
of Franz’s home-brewed cassis (made from the currants that grow in a
well-tended row alongside their home). Much to our delight, just before
we stepped out into the evening, Marianne and Franz snipped off two
of the “Queens”, which they immediately plunged into a jar of ice-water
and handed to us to take home. Alas, by the following morning these
rare “Ladies of the Night” hung wilted and forlorn, their “one-night-stand”
finally at an end. The memory, however, of their grand performance will
last Cornelia and me for a lifetime!